Taylor Slingerland

Taylor
Slingerland

Creative ops pro with 12+ years across film, TV, and commercials, and a licensed realtor. Los Angeles.

Taylor kneeling on a yellow brick road set, placing a prop tin between flowers, with lighting rigs behind him
On set, Dunkin’ × Wicked: For Good

Selected work

  1. 01Walmart Health & WellnessArt Director2026
  2. 02Dunkin’ × WickedProps2025
  3. 03Casamigos × FIFA World CupProps2026
  4. 04Hershey’s × KATSEYEProps2026
  5. 05LancômeProps2024
  6. 06KlarnaProps
  7. 07NopeAsst. Property Master2022
  8. 08The GutterProperty Master2024
  9. 09Punch Box ComedyFounder & Producer2024–
  10. 10Elder StreetRealtor & Project Manager
01

Walmart Health & Wellness

A smiling pharmacist hands a customer a bag at a Walmart pharmacy counter

Art direction for Walmart’s pharmacy campaign stills. We built a full pharmacy on stage, styled to Walmart’s brand guidelines, for Walmart Creative Studios, who brought me back for repeat bookings.

Role
Art Director
Client
Walmart Creative Studios
Director
Shaun Fenn
Production Design
Jena Serbu
Year
2026
Pharmacist applying a bandage to a customer's arm after a vaccination
001 Campaign still
Pharmacist taking a customer's blood pressure
002 Campaign still
The pharmacy set under construction on a sound stage, with crew at work
003 Building the pharmacy on stage
Crew dressing the pharmacy waiting area and wall graphics
004 Dressing the set
02

Dunkin’ × Wicked For Good

Dunkin' Wicked-themed drinks on a yellow brick road surrounded by flowers

Props for Dunkin’s Wicked: For Good campaign: hero cups and product on a yellow brick road set, sourced, prepped and placed for camera.

Role
Props
Production
ArtClass
Agency
Juxtapose
Production Design
Tyler Jensen
Year
2025
Campaign still of two people holding Dunkin' drinks outside a storefront in a fantasy forest
001 Campaign still
Talent holding a Dunkin' prop on set
002 On set
Wide view of the forest set on stage with the yellow brick road
003 The stage
Taylor placing props on the yellow brick road
004 Final placement
03

Casamigos × FIFA World Cup

Two people in Casamigos soccer jerseys behind a bar lined with bottles and trophies

Props for a World Cup bar campaign: hero bottles, cocktails and bar dressing, kept on brand for every shot.

Role
Props
Production
Stept
Agency
Kimmelot
Director
Benjamin McManus
Production Design
Tyler Jensen
Year
2026
Casamigos bottles and cocktails arranged on a bar
001 Product still
04

Hershey’s × KATSEYE

KATSEYE posing inside a subway car

Props for a subway-car campaign with KATSEYE, with Hershey’s product handled and placed for camera.

Role
Props
Production
Under Wonder
Agency
Martin
Director
Tanu Muino
Production Design
Spencer Graves
Year
2026
A KATSEYE member holding a Hershey's bar on the subway
001 Product moment
05

Lancôme

Lancôme lipstick tube surrounded by swirling pink liquid
001
Close-up of pink lip color being applied
002
Model holding a Lancôme lipstick near her face
003

Product props for a Lancôme lipstick campaign, where every tube and surface had to be flawless in macro.

Role
Props
Production
Nightcall
Agency
Prodigious
Director
Masato Riesser
Production Design
Justin Brown
Year
2024
06

Klarna

Two colorful Klarna campaign sets side by side, one pink with a clothing rack and one bright orange

Props for Klarna’s campaign, across bold color-blocked sets and a candy-colored street.

Role
Props
Client
Klarna
Klarna campaign still on a candy-colored street with the words That's Smoooth
001 Campaign still
07

Nope Jordan Peele · Universal Pictures

A rider on horseback in dust beneath the Out Yonder sign at the Jupiter's Claim theme park

Second-in-command of the props department on Jordan Peele’s third feature, from prep through wrap: tracking thousands of props and rentals, running purchasing and reconciliation, and handling the department’s day-to-day so the Property Master could focus on set.

Role
Assistant Property Master
Studio
Universal Pictures
Director
Jordan Peele
Production Design
Ruth De Jong
Year
2022
The aftermath of the chimpanzee attack on the sitcom set, with broken lamps and party gifts on the floor
001 Gordy’s Home set
A single sneaker standing upright on its heel amid scattered wrapping paper
002 The standing shoe
Two skull x-rays with a coin lodged inside, labeled Santa Clarita Memorial Hospital
003 X-ray graphics
Three characters in a green diner booth with food trays and cups
004 Diner dressing
A veiled guest in a wheelchair in the theme park stands, with merch hanging nearby
005 Jupiter’s Claim
The theme park host in a red western jacket and white cowboy hat raises his hand to the crowd
006 The Star Lasso show
A rider in a chrome helmet on a white motorcycle holds a camera in the desert
007 Chrome helmet, in the film
Behind the scenes: the chrome helmet reflects the crew and the desert hills
008 Chrome helmet, on set

The plush aliens

I was essentially the project manager for the theme park’s custom plush aliens. Working from the production’s concept art, I found vendors who could prototype them, reviewed samples and sent revision notes, and oversaw manufacturing until they were stacked on the merch stand, and later scattered in the dirt.

Concept painting of the plush alien with a pale head and black fur body
009 Concept art
Grey sculpted alien head on a form
010 Head sculpt
An early plush prototype lying on an office chair
011 Early prototype
A prototype plush next to two alternate head samples
012 Head variations
A plush sample pinned with handwritten sizing notes
013 Sizing notes for the vendor
Close-up of a plush hand with drawn revision marks for the fingers
014 Revision markup on the hands
Close-up of the airbrushed plush face
015 Face detail
A production sample of the plush held in hand
016 Production sample
One finished plush alien with a cowboy mascot hang tag
017 Final, tagged
A batch of finished plush aliens with yellow mascot tags lined up on a sofa
018 First production run
Dozens of plush aliens stacked on the merch stand under a flying saucer display
019 Dressed on the merch stand
Plush aliens and ICEE cups scattered in the dirt outside the Star Lasso arena
020 The aftermath
Hang tag artwork for The Star Lasso Experience, front, alternate front and back
021 Hang tag artwork
ICEE cart with four slush machines at the park
022 Concessions

Gordy’s Home

Props for the sitcom birthday episode at the heart of the film: the party hat, mylar balloons, wrapped gifts and bows, and the same pieces again, wrecked, for the aftermath.

A striped party hat on a worktable
023 Party hat
Mylar balloons laid flat next to a tape measure
024 Mylar balloons, measured
A scalloped gift box with a cartoon sticker held in hand
025 Gift packaging
Space-themed gift wrap with suns, planets and rockets
026 Gift wrap
A wrapped gift with a gold bow and curled blue ribbon
027 Bows and ribbon
Torn wrapping paper and gifts on the floor beside an overturned table
028 Aftermath dressing
The sitcom living room set dressed with balloons, gifts and broken furniture
029 The set
Video monitors showing the sitcom birthday scene
030 On the monitors

In-world photography

Second-unit photo shoots to create character photo props, like the Gordy’s Home cast portraits, plus period teen magazines for set dressing.

Monitor showing a 1990s-styled cast portrait on a peach sofa
031 Cast portrait
Monitor showing a family portrait on a white backdrop
032 Family portrait
Monitor showing a teen in 1990s clothes and sunglasses
033 Character portrait
Monitor showing a portrait of three people in business suits
034 Character portrait
A stack of 1990s teen magazines on a worktable
035 Period magazines
A vintage hand-crank film camera rigged on a stand
036 Hand-crank camera

On location

Behind the scenes at Jupiter’s Claim and the Haywood ranch.

A giant inflatable cowboy mascot rigged on a green base
037 The inflatable mascot
A green tube man inflatable laid out on a table
038 Tube man, laid out
A rainbow inflatable with a cartoon eye held up outside a garage
039 Inflatable test
The ranch house drenched in red after the blood rain scene
040 The house after the blood rain
An in-world Kid Sheriff movie poster
041 In-world Kid Sheriff poster
The inside of a props trailer lined with labeled bins on shelves
042 The props trailer
So Long Cowboy sign over the theme park exit
043 Park signage
The blood-stained ranch house at sunset in the desert hills
044 The ranch house at sunset
The full Nope crew posing together in the desert hills
045 The crew
08

The Gutter Feature film

A bowler holding a sparkling bowling ball, cigarette in her mouth

Property Master on a bowling comedy feature, running the props department from prep through wrap.

Role
Property Master
Studio
Village Roadshow + Magnolia
Directors
Yassir & Isaiah Lester
Production Design
Maggie Ruder
Year
2024
A bowling showdown on a lane with a crowd and pennant flags
001 Film still
09

Punch Box Comedy

An outdoor comedy show at night with a comedian on stage and a full audience under string lights

A monthly live stand-up show I founded, produce and host, running end to end: concept, brand, venue and vendors, talent, promotion and show day. 25+ events for 1,300+ guests, beverage sponsors, and an official Netflix is a Joke Fest pop-up in 2026.

Role
Founder, Producer & Host
Shows
25+
Guests
1,300+
Since
2024
The empty stage with a mic stand, stool and colorful backdrop
001 The stage
Audience seated in the courtyard facing the stage
002 The room
Two hosts on stage with microphones
003 Hosting
A comedian performing to a crowd inside a vintage clothing shop
004 A pop-up in a vintage shop
Punch Box show poster with a boxing glove bursting out of a box
005 Show poster
10

Elder Street Staging & listing campaign

Bright staged living room with a white sofa, round coffee table and plants

As listing agent and project manager, I staged the home, ran the refresh and produced the photo campaign. Drag each image to compare before and after.

Role
Realtor, Project Manager & Marketing
Scope
Staging, refresh, listing photography

Living & Dining

Drag to compare

Dining area before staging, with dated furniture and a ceiling fan Dining area after staging, with a round table and light rug BeforeAfter

Kitchen

Drag to compare

Kitchen before, with orange wood cabinets and white appliances Kitchen after, with painted grey cabinets and stainless appliances BeforeAfter

Outdoor

Drag to compare

Backyard deck before, bare with a single umbrella Backyard deck after, furnished with a pergola and string lights at dusk BeforeAfter
Front of the craftsman house at dusk with warm lights on
Listing hero photo

Hi, I’m Taylor.

I’m a creative ops pro with 12+ years in property departments across film, TV, and commercials. A director describes something that doesn’t exist yet, and I figure out how to build it, source it, budget it, and get it on camera on time.

On the narrative side, I’ve been assistant prop master on Jordan Peele’s Nope, Netflix’s A Man on the Inside, and Bill Hader’s upcoming They Know. My commercial work spans fintech, automotive, beauty, and food and beverage, with credits for Klarna, Toyota, Lancôme, Casamigos, and Walmart.

I’m also an art director. A favorite credit is the Rose Parade broadcast booth for Amazon Prime Video with Cord & Tish, played by Will Ferrell and Molly Shannon.

Whether it’s one hero item or a fully dressed set, I care about the details. That means equal parts research, logistics, and craft: tracking thousands of props and rentals, managing vendors and budgets, clearing everything with legal, and building systems (lately with custom AI tools) so nothing gets lost.

Outside props, I’m a licensed realtor, and I produce Punch Box Comedy, a monthly live show I run end to end. This year it was an official Netflix is a Joke Fest pop-up, and two years in, it has brand sponsors behind it.

12+years in film, TV and commercials
40+commercial and branded shoots
25+live shows produced
9years rehired by the same department head

Let’s
work.